Ten looks
Each one changes how
the night behaves.
A style is not a filter laid over the output. It changes the grade, the grain, how edges hold together and how things move between shots. Pick the one that matches how the dream felt, not what was in it.
Surreal Oil
Thick brushwork that never quite settles
Frames are rendered as moving oil paint: visible impasto, edges that breathe, colour mixing on the canvas rather than in the light. The default when a dream felt heavy and physical.
- Suits
- Dreams with weight — falling, drowning, carrying something
Film Grain
16mm halation, light leaks, dust
Analogue photographic treatment with heavy grain, gate weave and warm halation around highlights. Reads as a memory someone shot on a camera they no longer own.
- Suits
- Dreams about houses you used to live in
Underwater Drift
Caustics, slow limbs, rising bubbles
Everything moves at a third of its natural speed, light arrives in shifting caustic bands, and fabric and hair drift upward. Motion is continuous, never cut.
- Suits
- Dreams where you could breathe but should not have been able to
Silent Noir
High contrast black and white, no colour at all
Monochrome with crushed blacks, a hard key light, vignetting and a faint flicker on the exposure. Emulsion scratches ride over the frame.
- Suits
- Chases, staircases, being followed
Neon Nocturne
Wet streets and signage with no readable letters
Anamorphic night city: rain on every surface, violet and teal spill, long reflections. Signage is kept abstract on purpose — the renderer does not letter signs.
- Suits
- City dreams, being late, looking for an address
Storybook
Gouache illustration with soft paper tooth
Hand-painted children's book treatment: flat washes, visible paper texture, gentle outlines. The kindest look in the set, and the one that ages best.
- Suits
- Dreams that felt safe, or ones you want to feel safe
Low Poly
Faceted geometry, flat shading, clean silhouettes
Everything is rebuilt as coarse polygons with flat shading and no texture detail. Motion becomes deliberate and mechanical.
- Suits
- Abstract dreams and ones with impossible architecture
Fog Silhouette
One shape, an enormous amount of nothing
Minimal compositions: a single dark form against a graded fog field, with most of the frame left empty. The quietest option and the one that hides the most.
- Suits
- Dreams you only half remember
Paper Cut
Layered paper diorama with real depth shadows
Scenes are staged as stacked paper cut-outs with visible edges and cast shadows between layers. Camera moves reveal the gaps between planes.
- Suits
- Landscapes, journeys, anything with a horizon
Astral Ink
Wet ink bleeding across textured paper
Wet-on-wet ink and watercolour blooms that spread and dissolve between shots, with visible paper grain underneath. Edges are never fixed.
- Suits
- Dreams that changed shape while you were in them
What styles will not do
None of these presets imitate the personal style of a living artist, and descriptions asking for one are declined. Signage, captions and any other lettering stays out of the frames on every style — generative models render text badly, so the site typesets words around the image instead of inside it.
Content policy